You start to learn the same thing about Delilah. From the vignettes in the beginning to day one or day two you’re really learned where Henry’s been, his regrets, his pain. Firewatch works because you go really really deep on these two characters’ lives. PE: Games have something of a bad name now because a lot of people have tried things that turned out to be pretty clumsy. How does that distinction change how you want players to react to Neo Cab? Neo Cab you say is less about a character who players empathize with and more about a character whose strength is empathy. Patrick you mentioned in a blog post your time on Firewatch and people’s reactions to the game being very personal. We say: “Why is this person specifically taking a Neo Cab in the middle of the night? What’s their reason?” It actually kind of lends itself really well to more dramatic situations and not just like, “Ah, I’m trying to get to work.” We ask that with every character we come up with.
They don’t have anyone and they need someone to talk to.
Either they’re someone who doesn’t have an identity or they’re illegally here and they can’t be in a database somewhere or maybe they need a human.
#We need to go deeper gameplay license
PE: One weird thing we weren’t expecting when we set out on this and weirdly ended up being a lot of artistic license for us: since we’re in the near future when autonomous vehicles have really taken over and everyone’s just taking little robot rides everywhere we asked ourselves, “Why do people still take these cabs?” It’s because they need the human element. Given that cab rides are typically a low consequence interaction, how are you getting stories out of characters either as Lina or as a writer? Physically, what are the things you can do to recharge yourself emotionally like spending some money on a nice hotel instead of sleeping in your car or visiting a street doctor and getting an herbal supplement that can maybe boost you up but are there risks to that? Emotional realism, I guess you could call it? We’re trying to express the fact that the way you feel can be as important as how much money is in the bank, especially for someone in the service industry.
PE: Yup, and then on the map there’s some other choices. So gameplay is mostly dialogue choices and your choice of passengers? You’re balancing your own emotional health which is sometimes in tension with the needs of your passengers.
#We need to go deeper gameplay how to
I know I need the money but I’m going to sleep in my car.” We spent a lot of work exploring how to bring that in every line of the narrative. When does your character not give you a choice at all? When is she really mad and fly off the handle and kick someone out of the car? When she’s really sad, when does she say “I can’t keep driving tonight. That’s the core narrative tension that we think no one’s really done before in an interactive game: a fine grain modeling of the emotions of the player character and having that impact core gameplay stuff. Customize Your Adventurer - Choose from a wide variety of era-specific outfits from the 19th century so you can dive in style! Non-gender-specific mustaches included.Within the ride, you’re trying to figure them out such that they give you a good rating while also balancing your emotional health which persists. Wield a Variety of Tools - From wrenches, to wedding rings, to electricity-powered weaponry, a wide selection of tools and weapons await discovery. Explore The Living Infinite - The Living Infinite is an ever-changing undersea trench – with randomized biomes, on-foot expeditions, loot, civilizations and a dynamic difficulty system to keep you guessing every time you take a dive. Crew Your Submarine - Pilot, repair, load torpedoes and reroute power as you and your crew dash around one of several unlockable submarines on your voyage into the deep. 2-4-Player Online Co-op - Designed with human interaction in mind, in We Need to Go Deeper you communicate or perish. Crew a submarine with friends in We Need To Go Deeper - a 2-4-player cooperative submarine roguelike set in a Verne-inspired undersea universe.
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